Album: Gary Bonner
Company: Calla
Catalog: CS 101
Year: 1973
Genre: pop
Grade: *** 3 stars
Condition: VG+ cover / VG+ LP
Comments: punch out hole top right corner
Quantity available: 1
Price: $100,00
Given his early successes as a writer (even if you don't know who Garry Bonner is, you've certainly heard some of the songs he's written - 'Happy Together, 'She'd Rather Be With Me' and 'Celebrate, Bonner's solo recording history is best described as sporadic and hard to track down. As far as I can tell, here are the solo singles he's released over the years:
- 1967's 'The Heart Of Juliet Jones ' b/w 'Me About You' (Columbia catalog 4-44306)
-
1968's 'The Saddest Bank Holdup Culver City Ever Had' b/w 'Jug Of Wine'
(Columbia catalog number 4-44703)
- 1968's ''It's So
Easy'' b/w 'Mother's Waiting' (Columbia catalog number 4-44927)
-
1972's 'Everlasting Love' b/w '' (MGM Verve catalog number MV 10687)
-
1974's 'Should Anyone Ask' b/w 'Back Street Romance' (Atlantic catalog
number 45-3234)
-
1974's 'I Can't Take It' b/w 'I Can't
Take It On' (Atlantic catalog number
45-3275)
- 19??
-
'There's a Place and It's Green as Any County Mountain' b/w 'Remember How
the Sun Felt' (Faithful Virtue catalog number 7001-A/B)
UK release
-
1974's 'Baby, Baby (Love Is Waitin')' b/w 'Happy Together' (Atlantic catalog
number K-10512)
I'll
readily admit "Gary Bonner" is largely a mystery to
me. I've never been able to find a review of the album, let alone any
concrete biographical information on the set. The album doesn't even
show up in most discographies and on-line music references. 'The
Saddest Bank Holdup' and 'Jug Of Wine'
date back to 1967 when they appeared as both sides of Bonner's third single
for Columbia. Pure speculation on my part, but judging by the
song-writing credits (six of the nine tunes were Alan Gordon - Gary Bonner
credits), the overall sound, and the feel of the tunes, the album certainly
sounded like a compilation of earlier studio demos that simply got
shelved along the way. Given Bonner had one of pop's great voices, I'd
love to tell you these nine tracks were great. Unfortunately most
weren't. 'Mothers Waiting' was an exception. With a full
studio arrangement, this up-tempo tune could have been a big hit for
Bonner. Also interesting were Bonner's original version of 'Celebrate'
and the opening rocker 'Goodbye Surprises'. Otherwise the material was
spotty with little interest outside of hardcore collectors. How Bonner ended up on Nate McCalla's New
York based Calla Records is a mystery. Interesting the album catalog
number doesn't even match the rest of the label's discography.
"Gary
Bonner" track listing:
(side 1)
(side 1)
1.)
Goodbye Surprise
(Alan Gordon - Gary Bonner) - 2:38
The
raw and under-produced sound (the drummer sounded like he was having a
stroke), seemed to support the contention this was a demo.
Interestingly that raw edge coupled with Bonner's strong voice gave the song
an engaging urgent edge. Hardcore
fans will want to know that both The Turtles and Flo and Eddie covered the
tune. rating: ***
stars
2.)
Man On The Bicycle Knows
(Alan Gordon - Gary Bonner) - 2:32
Whereas
Bonner sounded pretty good on the first tune, on
'Man On The Bicycle Knows' he sounded shrill and uninterested. Add to
that, the song (at least this arrangement), simply didn't have much of a
melody going for it. rating:
** stars
3.)
Jug of Wine
(Ralph Dino - John Sembello) - 3:14
In
spite of the stark arrangement - just Bonner accompanied by an electric
piano, 'Jug of Wine' was a pretty ballad that spotlighted Bonner's sweet
voice.
rating: *** stars
4.)
Saddest Bank Hold Up
(Ralph Dino - John Sembello) - 3:33
Pretty
acoustic ballad with a nice Kirby Johnson arrangement. It also
served to showcase what a nice voice Bonner had. As
mentioned above, the tune was originally released as a 1968 single:
-
1968's 'The Saddest Bank Holdup Culver City Ever Had' b/w 'Jug Of Wine'
(Columbia catalog number 4-44703). Not sure why the album listed
the tune with the abbreviated title ... rating:
*** stars
5.)
Mothers Waiting.
(Hank Holman) - 3:00
One
of the few tunes that sounded like a completed effort, 'Mothers
Waiting' benefited from a full band arrangement, an instantly
appealing melody, and a great Bonner vocal. This one could have and
should have been a massive hit for the man. rating:
**** stars
(side
2)
1.) Till I Run With You (Alan Gordon - Gary Bonner) - 2:05
1.) Till I Run With You (Alan Gordon - Gary Bonner) - 2:05
A
nice enough pop tune that would have been far better had Bonner been allowed
to find a more comfortable vocal range. As it was, he sounded quite
uncomfortable with the song's high range, struggling to find his
falsetto. The elaborate arrangement didn't help. rating:
** stars
2.)
Celebrate
(Alan Gordon - Gary Bonner) - 2:44
Yes,
Three Dog Night enjoyed a massive hit with their cover of this
one. Three Dog Night didn't mess much with the original melody,
though to their credit, they had the smarts to speed the song up. They
also streamlined and commercialized the fade out refrain. In
contrast Bonner's version was virtually glacial. I
remember checking my turntable to see if I had messed up the speed
adjustment. rating:
*** stars
3.)
Love A Stranger
(Alan Gordon - Gary Bonner) - 2:18
In
spite of a strained vocal, sporting a mid-'60s blues-eyed soul feel, I have
to admit I really liked 'Love a Stranger'. rating:
*** stars
4.)
Small And Foolish
(Alan Gordon - Gary Bonner) - 2:45
Earnest
folk ballad with Bonner seemingly double tracking his vocal in
places. Clearly another studio demo intended to shop
around to other acts. rating:
** stars
Postscript:
I
don't know if its true, but I did find a supposed quote from Bonner himself:
"The Calla LP??...is that the one with my mug
on the album cover ...That's just a bunch of sloppy demos some guy put
together and sold to Roulette to make a buck... I had nothing to do with
it... After the MGM disaster, I never made another record...couldn't get a
deal. Had a few singles on Atlantic...that's about it."
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