Album: Design
Company: Epic
Catalog: E 30224
Year: 1970
Genre: pop
Grade: *** (3 stars)
Condition: VG+ cover / VG+ LP
Comments: --
Quantity available: 1
Price: $20,00
Liner notes aren't known as the best source of biographical information, but there simply isn't a great deal of information to go on with regard to this London-based group. In fact,, even their website is a bit vague with the group's history.
photos
from a 1974 appearance on the Benny Hill Show left to right:
Barry
Alexander - Gabrielle Field - Kathy Manuell - Jeff Matthews - John
Mulcahy-Morgan -
Geoff Ramseyer
"Together since January 1969, Kathy Manuell, Gabrielle Field, Tony Smith, Barry Johnston, Geoff Ramseyer , and John Morgan have brought into close harmony musical backgrounds which are tremendously varied. Prior to forming Design, Kathy and Gabrielle were students of operetta and classical music, Geoff and John were members of a rock band [Free Expression] doing the British club circuit; while Tony and John were accomplished songwriters. Through various "acts of fate" they came together, began performing at parties, were asked to perform for Princess Alexandra and Angus Ogilvy at the "Save the Children Fund Ball" and were a sensation. With this album Design have come to our shores."
In
spite of what the liner notes said, by the time the group released their US
debut, Smith was no longer a performing member of the band, having been replaced
by Jeff Matthews.
While Smith may have been gone, his fingerprints were all over the band's 1971
album debut "Design". Smith's voice remained
on several of the songs and he was credited with penning ten of the eleven
songs. The only non-Smith song was Barry Alexander's 'The Minstrels'
Song'. Interestingly the tune was credited to 'Barry Johnston' -
Barry apparently wanted to keep some distance from the fact his father was
British cricket commentator Brian Johnston.
To
be honest, Design was more of a marketing ploy than an attempt to make music
that was going to stand the tests of time. Accordingly the group's main
selling points seemed to be their young, mod good looks and their blended,
if somewhat anonymous harmony vocals. They quickly became staples on British
television shows, though I suspect few fans could tell which one was Gabrielle
versus Kathy, let along the names of the five guys. As a result, much of
the debut album was little more than throwaway pop fodder intended to appeal to
top-40 radio stations. Imagine a British hybrid of The Association, The
5th Dimension, The Free Design, and The Mamas and the Papas.. Add in a
touch of Brotherhood of Man and maybe a little ABBA and presto -
Design. And that's what makes the album so strange. Buried in
MOR-ish harmony muck like 'The Lonely', 'Willow Stream', and 'Matchstick
Man' were some
unexpected surprises. The opener 'Coloured
Mile' took the group's wall-of-sound harmonies and surrounded them with some
lysergic edges. Imagine a stoned version of the Free Design.
It made for a great tune. Equally impressive were 'Marguretta'
(okay I'll admit that one was a guilty pleasure), Alexander's 'The Minstrel's
Theme', and the jazzy, almost acapella closing ballad
'Dawn Chorus'. It's far from a great LP, but had some nice sunshine
pop moments.
"Design" track listing:
(side 1)
1.) Coloured Mile (A.C. Smith) - 2:58
Geez
... what the world? I remember hearing 'Coloured World'
for the first time and wondering how The Free Design had acquired British
accents ... As mentioned, the group's harmony rich sound isn't going
to appeal to every one, but this was a great example of how good they could
be when packaged with a strong, slightly lysergic tune and arrangement
(check out the underlying bass work). The song was also released as a
promo US single:
-
1971's 'Coloured Mile' b/w 'The Minstrel’s Theme' (Epic catalog number
5-10713) rating:
**** stars
2.)
Willow Stream (A.C. Smith) - 2:25
And
'Willow Stream' demonstrated how band they could be when surrounded by twee,
throwaway material. I'm guessing this one was given a slightly
tropical feel on purpose, but the results were simply irritating - kind of
like a band Boney M tune. of course that didn't stop Epic from
releasing the song as a US single:
- 1971's 'Willow Stream' b/w 'Coloured Mile' (Epic catalog number 5-10623) rating: ** stars
3.) Marguretta (A.C. Smith) - 3:11
- 1971's 'Willow Stream' b/w 'Coloured Mile' (Epic catalog number 5-10623) rating: ** stars
3.) Marguretta (A.C. Smith) - 3:11
Okay,
'Marguretta' was a song that I should have detested. It was simply way
too cute and way too catchy for anyone's health. In fact, if you
ditched the English lyrics and added some Scandinavian accents, it could
have been an ABBA tune. The ladies' chirpy refrains (sounding like the
Vienna Boys Choir), were hysterical. Great tune. rating;
**** stars
4.)
The Lonely (A.C. Smith) - 2:59
Bland
ballad that showcased the ladies' slightly shrill vocals ... rating:
** stars
5.)
Thinkin' (A.C. Smith) 2:16
Seriously,
with a distinctive MOR-jazzy vibe and some elaborate vocal arrangements
'Thinkin'' could easily have been a Free Design effort. rating:
*** stars
6.)
Matchstick Man (A.C. Smith) - 4:18
Not
sure which guy handled the lead vocals on this one, but this one was simply
too sappy and the subject matter too English to make the cut. Did
anyone think this one was going to tug at the heartstrings?
Yech. (I did like the underlying busy bass line.) rating:
** stars
(side
2)
1.) The Minstrel's Theme (Barry Johnston) - 3:13
1.) The Minstrel's Theme (Barry Johnston) - 3:13
Imagine
The Mamas and the Papas after they'd taken a Masters class in English folk
music ... The group's waves of sweet harmonies remained a danger
to diabetics, but the tune had a wonderful melody and a cool toy town psych
flavor. It also served as the 'B' side on their second US
single. rating:
**** stars
2.)
Speak (A.C. Smith) - 3:31
Geez
this one was a strange tangle of influences; The Fifth Dimension, Gilbert
O'Sullivan-styled pop; Simon and Gafunkel harmonies ... Easily
the album's strangest performance.
rating: *** stars
3.)
Buttercup Stranger (A.C. Smith) - 3:21
'Buttercup
Stranger' started out with some beautiful acoustic guitar and when the
vocals kicked in the tune had a very Simon and Garfunkel feel.
rating: *** stars
4.)
Children of the Mist (A.C. Smith) - 2:45
Yeah
it was a bit on the MOR side of the house, but 'Children of the Mist' was
probably the album's most radio-friendly tune, 'Children of the Mist' had
everything needed for heavy radio rotation; great melody and a nice display
of their vocal prowess.
rating: *** stars
5.)
Dawn Chorus (A.C. Smith) - 4:09
It
opened up as an almost acapella piece before morphing into an atmospheric
ballad that recalled The Fifth Dimension at their
jazziest. rating:
**** stars
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