Album: River
Company: Atlantic
Catalog: SD 7259
Year: 1974
Genre: rock
Grade: **** (4 stars)
Condition: VG+ cover / VG+ LP
Comments: gatefold sleeve
Quantity available: 1
Price: $30,00
Scattered throughout rock history are folks with immense talent who came close to, but ultimately missed the cherished ring of commercial success and popularity. Singer/guitarist Terry Reid's a perfect example. By the time he was 15, Reid was fronting Terry Reid and the Jaywalkers. Discovered in 1967 by producer/manager Mickie Most, 17 year old Reid was quickly tapped by the media as an up-and-coming star. Signed by Columbia, he recorded a pair of critically acclaimed singles ('The Hands Don't Fit the Glove' b/w 'This Time' (Columbia catalog number DB 8166) and 'Better By Far' b/w 'Fire's Alive' (Columbia catalog number DB 8409). Adding to his stock, Reid was Jimmy Page's first choice for vocalist/second guitar in the New Yardbirds. Interested in pursuing his solo career, Reid turned the job down, instead recommending buddy Robert Plant for the job.
I'll be the first
to admit that a lot of the hype surrounding singer/guitarist Terry Reid
simply doesn't register with me. He's certainly a gifted writer and
performer (and I'll admit to owning most of his catalog), but Reid has a
number of limitations that make it pretty clear to me why he's never been
more than a cult favorite.
Those comments may sound kind of harsh, but let me make it up by telling you 1974's "River" may be Reid's best album . If you can find a copy it's worth every penny it'll cost (yes, there's a recent CD reissue). With Reid responsible for all seven tracks, the album was recorded right before and right after his decision to move from England to Southern California. To some extent that division gives the set kind of a schizophrenic feel. Judging by the liner notes, 'Dream' and 'Milestones' were recorded in London with Yes producer Eddie Offord handling the boards. The rest of the set was recorded in California with producer Tom Dowd. While the earlier acoustic numbers (found on side two) were interesting in that they recalled some of Van Morrison's late-1960s efforts, the change of scene seems to have had a beneficial influence on Reid. Backed by long time friend David Lindley, Reid turned in what was his loosest and most charming collection. At least to my ears Reid's squeaky voice has never been one of his selling points, but in this setting it fit perfectly on blues-rockers such as 'Dean', 'Avenue' and the funky (yes) 'Things To Try'. Personal favorite - the laidback bossa nova flavored title track.
"River" track listing:
(side 1)
1.) Dean
(Terry Reid) - 4:45
Electric-blues doesn't usually
do a great deal for me, but the combination of Reid's unique voice and David
Lindley's exquisite slide guitar playing kicks it to another
level. Nice way to kick off the album. YouTube has
an even better live version of the song filmed during a 1971 Glastonbury
Fayre performance. Same band as on the album, save Ala White replacing
Conrad Isidore on drums: :
https://www.youtube.com/watch?v=updTFU9IqIg
rating: **** stars
2.)
Avenue (Terry Reid) - 5:08
A
more conventional blues number, 'Avenue' showcased Lindley's slide
playing. Nice, but not as commercial as the opening. rating:
*** stars
3.) Things To
Try (Terry Reid) - 4:25
Interesting
that a laidback tune like this would have such a funky groove ... mind
you, you're not going to mistake this for a George Clinton, but who would
have ever expected a skinny, white English guy to play with this much
energy. rating:
**** stars
4.) Live
Life (Terry Reid) - 5:11
Easily
one of the best things he's ever recorded, 'Live Life' had everything going
for it including a tasty, slightly Latin-esque melody (thanks to Willie
Bobo's percussion), some first-rate guitar, and one of Reid's most energetic
performances. The video and sound quality aren't great, but
YouTube has a 1973 performance of the tune on British television. The
live version was way funkier than the studio version. https://www.youtube.com/watch?v=jqKBdOiIC8k
rating: **** stars
(side
2)
1.) River
(Terry Reid) - 5:45
Maybe
its just my old ears, but the instrumental opening section has always
reminded me a bit of Carole King's 'it's Too Late' and then the song went
off in a totally unexpected Bossa Nova/jazzy direction with absolutely
fantastic results. rating:
**** stars
2.)
Dream (Terry Reid) - 5:20
Just
Reid on acoustic guitar, the result was one of the prettiest melodies he
ever wrote ... Always thought it would have been a great track for the
late Sandy Denny.
rating: **** stars
3.)
Milestones (Terry Reid) - 5:52
A
bit unfocused for my tastes, 'Milestones' sounded a lot like a David Crosby
tune. Not really discordant, but kind of loose and free flowing with
multi-tracked "cathedral" vocals. Yeah, it got a little
better as it went along, but the first minutes and a half sounded like an
extended tune-up.
rating: *** stars
Shame
Atlantic Records didn't have a clue what to do with Reid.
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