Album: Stay as You Are
Company: The Goods Records
Catalog: TGR 9304
Released: 1982
Genre: pop
Grade: *** 3 stars
Condition: VG+ cover / VG+ LP
Comments: cut lower right corner
Quantity available: 1
Price: $25,00
So how obscure is
the repackaged version of Joe Egan's second solo album ? Well, for one
thing, it doesn't show up on the man's brief Wikipedia entry. Also, as
far as I can tell, there isn't a single review of the album to be found on
the web (except for this one). Yeah, it's pretty obscure.
For
whatever reason, 1981's "Map" never
saw an American release. For whatever reason, in 1982 the
California-based The Goods Records decided to change that. Somehow
acquiring distribution rights to the album, they slapped it with a new title
and new cover art. The song listing remained unchanged.
From a marketing standpoint it certainly seemed suicidal. By
1982 Egan didn;t have much of a fan base left in the States and as a small
label, the company certainly didn't have much in the way of promotional
capabilities. Needless to say, that didn't stop the project.
Produced
by David Courtney who also co-wrote most of the ten songs and contributed
keyboards to several tracks,, 1982's "Stay
As You Are" was recorded in California with an extensive
list of sessions players including keyboardist Nicky Hopkins and guitarist
Fred Tackett. I guess it's just me, but after all these years I still
can't hear Egan's dry, gravelly voice without thinking of Stealers Wheel
(which is a good thing in my book). That said, Egan sounded in a
great form on this album. Perhaps feeling he didn't have much to
lose, Egan sounded loose and comfortable throughout the album turning in a
collection that was surprisingly diverse and enjoyable.
Highlights included the opening rocker 'Tell Me About It', the Stealers
Wheel-esque 'Maker On the
Make', a rocked-up cover of The Everly
Brothers classic 'The Price of Love', and the unexpected reggae-tinged
'Diamonds'. Was it a monster ? Nah, not by a mile, but it
was a nice late inning album that surpassed most of Gerry Rafferty's solo
releases). Let me add the album is surprisingly hard to locate.
"Stay
As You Are"
track listing:
(side
1)
1.)
Tell Me About It (Joe Egan) - 3:56
To
be honest, for a guy best known for commercial pop material, 'Tell Me About
It' came as kind of a surprise since it showcased a straight ahead
rocker. Great tune that climbed into your head and wouldn't
leave. I've always wondered why it wasn't tapped as a single. rating:
*** stars
2.)
Survivor (Joe Egan - David Courtney) - 4:14
Pleasant
mid-tempo rocker that was burdened with one of those
isn't-rock-music-tough-on-everyone lyrics. Funny that Egan would still
have an ounce of sympathy for anyone associated with the business side of
music. rating: ***
stars
3.)
Stay As You Are (Joe Egan - David Courtney) - 3:56
'Stay
As You Are' started out as a bleary adult contemporary ballad that might
have slotted on a Gerry Rafferty solo album) (complete with sax solo, but
was saved from total anonymity by a catchy top-40 pop chorus. Funny,
the chorus is really the only part of the song that's stuck with me.
The song was tapped as an instantly obscure single.
rating: *** stars
4.)
Diamonds (Joe Egan - David Courtney) - 3:25
Hum,
who would have expected a reggae-tinged number on an Egan album ? You
weren't going to throwaway your Bob Marley albums, but if 10c.c. could get
away with it, why not Egan ? Another tune that was
pleasant. rating:
*** stars
5.)
Maker On the Make (Joe Egan - David Courtney - Hunter) - 4:15
With
strumming guitars and multi-tracked lead vocals, 'Maker On the Make' was
probably the album's most Stealers Wheel-ish composition. Highly
commercial and another song that would have sounded good on early-'80s
radio, though it would have been better without the horn
arrangement. rating:
**** stars
(side
2)
1.)
Miss March (Joe Egan) - 3:05
Probably
that album's most outright pop tune, I've always loved the stuttering
Supertramp-styled electric piano on 'Miss Match'. Bouncy pop
tune that would have sounded good on the radio.
rating: **** stars
2.)
Heat of the Moment (Joe Egan) - 3:37
Initially
'Heat of the Moment' didn't make much of an impression on me, coming off as
another slice of adult contemporary that might have been used for a Miami
Vice soundtrack. It's since grown on me, though still isn't a
great tune. rating:
*** stars
3.)
Price of Love (The Everly Brothers) - 3:47
The
lone cover, Egan's take on The Everly Brothers 'Price of Love' was actually
one of the album's more interesting performances - in this case he gave the
tune a heavy rock feel. On the surface that may not have sounded all
that promising, but the results were quite impressive - I certainly like it
better than Brian Ferry's version. rating:
**** stars
4.)
A Little Bit of Magic (Joe Egan - David Courtney) - 4:00
With
a folky feel, 'A Little Bit of Magic' was another tune that recalled
Stealers Wheel. I'm guessing the song had personal roots, but who
knows. Stan Behrens provided the harmonica solos.
rating: *** stars
5.)
Front Line (Joe Egan - Hunter) - 3:35
Every
'80s album seemingly had to have at least one big, AOR ballad and 'Front
Line' was Egan's contribution to the genre. Pretty, but
forgettable. rating:
*** stars
Yes,
the album was tapped for an equally obscure single:
- 1982's 'Stay As
Your Are' b/w 'Survivor' (The Goods Records catalog number TGR93012
Egan seems to have dropped out of the music business, reportedly focusing his attention on a publishing company he owns and operates in Scotland.
Postscript:
In a strange quirk, I just had a Scottish student ask me for information on Egan for a thesis she was writing.
Egan seems to have dropped out of the music business, reportedly focusing his attention on a publishing company he owns and operates in Scotland.
Postscript:
In a strange quirk, I just had a Scottish student ask me for information on Egan for a thesis she was writing.
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