Album: Handle with Care
Label: Claremont
Catalog: CP 4613
Released: 1976
Genre: rock
Grade: **** 4 stars
Condition: VG+ cover / VG+ LP
Comments: --
Quantity available: (SOLD)
Price: $100.00 (SOLD)
Little known mid-'70s Wisconsin trio that managed to record one surprisingly good, if undiscovered album before disappearing. About the only other biographical things I can bring to the table are:
-
The band showcased the talents of bassist David Henning, front
man/singer/multi-instrumentalist Brian Kent, and drummer Bill Worden.
-
Their sole release, 1976's "Roundhouse" (it's also shown as Round
House on the album), was recorded at Lake Geneva, Wisconsin's Castle
recording Studios.
Obviously,
not a lot to go on.
Kent
was clearly the band's front man. In addition to penning all ten
tunes, he handled lead vocals, lead guitar, keyboards, and
synthesizers. While the album wasn't exactly groundbreaking, the mix
of English pop and hard rock moves was surprisingly energetic and
enjoyable. Kent had a great "rock and roll" voice with
an obvious affection for English bands. I'm guessing it was done on
purpose, but exemplified by tracks like 'Treat Me Right', 'Rainbow (Lost In
the Sky)', and 'Ooh Yes',
more than a couple of these tunes actually sounded like something out of the
Badfinger, or Paul McCartney catalogs. He also had a surprisingly
tight rhythm section in Henning and Worden, with the three displaying a
cohesion and tight group dynamic many of their better known contemporaries
couldn't match. The album was also notable for its great sound -
kudos to engineer Andy Waterman. So at this point let me tell
you the LP wasn't perfect. Side one was far better than the second
side which seemed to essentially run out of creative steam until the final
two tracks - 'Oooh Yeah' and the oddly titled 'Testimony,
The (of H. Hughes)'.
"Handle
with Care" track listing:
(side 1)
(side 1)
1.) Handle
with Care (Brian Kent) - 3:52
'Handle
with Care' opened the album up with a surprisingly impressive hard
rock tune that incorporated interesting jazzy moves, a touch of
progressive adventurism, and some almost Badfinger-styled vocals into the
mix. I've listened to the tune dozens of times and still laugh
when I hear the vocals and realize these guys were from Wisconsin, not
Liverpool. The goofy synthesizers bleeps weren't really necessary, but
the overall song was still quite impressive. rating:
**** stars
2.)
Treat Me Right (Brian Kent) - 3:52
The
spotlight may have been of Kent, but as mentioned, he had a dynamite
rhythm section in Henning and Worden and the pair seldom sounded as good as
on this pounding Badfinger-styled pop-rocker. One of the album
highlights - surprised this one hasn't been grabbed for a
compilation. rating:
**** stars
3.)
Hometown Dirty Bar (Brian Kent) - 2:50
Conventional
bar band rocker, though few bands have pulled it off with as much affection,
or with such an appropriate song title. One of my favorite
performances on the album and one that showcased Ken's nice "rock and
roll" voice. If I ever own a dive bar, this one's going on
my AMI Continental II jukebox.
rating: **** stars
4.)
Rainbow (Lost In the Sky) (Brian Kent) - 4:02
Another
nice AOR tune with some decent lead guitar moves. The song would
actually have been better without Ken's distracting mellotron fills. rating:
*** stars
5.)
City of the Dead (Brian Kent) - 5:04
Mixing
hard rock moves, progressive moves, a touch of lysergic flavor, while
retaining a commercial edge, 'City of the Dead' was probably the album's
most original offering. Nice bellowing vocals from Ken.
rating: **** stars
(side
2)
1.) Think (Brian Kent) - 3:41
1.) Think (Brian Kent) - 3:41
The
few reviews I've seen of this album have pointed to 'Think' as one of the
standout tracks. I'll go against conventional wisdom and tell you it
was nothing more than an okay rocker. rating:
*** stars
2.)
Once I was Lonely (Brian Kent) - 3:27
'Once
I was Lonely' apparently found Kent and company trying to go down the pop
road. Although the tune had some nice Kent guitar, otherwise I can't
say I was all that impressed. rating:
*** stars
3.)
After Daybreak (Brian Kent) - 2:57
Probably
the album's worst performance, 'After Daybreak' sounded like one of those
songs that had been stitched together from song fragments left on the
cutting room floor. Pretty much directionless and tuneless, at
least it was short. rating:
** stars
4.)
Oooh Yes (Brian Kent) - 3:57
Nice
rocker with McCartney-styled harmony vocals, but the real scene stealer came
in the from of Henning's hyper-active bass lines. rating:
**** stars
5.)
Testimony, The (of H. Hughes) (Brian Kent) - 4:56
Another
English-tinged rocker with some of Kent's most energetic
vocals. Nice way to close out the album. rating:
**** stars
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